New Release
Opacities
Opacities is a book about writing, publishing, and friendship. Rooted in an epistolary relationship between Sofia Samatar and a friend and fellow writer, this collection of meditations traces an attempt to rediscover the intimacy of writing.
In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to Édouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing.
In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written?
Blurring the line between author and character and between correspondence and literary criticism, Opacities delivers a personal, contemplative exploration of writing where it lives, among impassioned conversations and the work of beloved writers.
“Sofia Samatar’s Opacities is simply one of the most beautiful books about writing, about being a writer, that I’ve ever read.”
— Ross Gay, author of Inciting Joy
“In the profound company of others and in conversations with ghosts, Opacities is a work of great intimacy and intelligence. It is both mesmerizing and consoling to dwell in the meditative space Sofia Samatar has created. Her submerged narratives haunt (now coming to the surface, now subsiding) allowing room for the reader to enter the text in any number of ways. A most irresistible experience.”
— Carole Maso, author of AVA and Mother & Child
“Was ever a darkness so refulgent as Sofia Samatar’s Opacities? With her distinctively supple line, Samatar summons a troupe of literary night-guides from Kafka to Djebar and leads us to the so-called vanishing point where scarcity inverts to fullness and nothing vanishes except our certainties. Obsidian, inky, rippling, Vantablack, Samatar’s vision of literature restores the dream of the night library, where we can and should read in the dark, and where the Future rises up with the face of the New Moon—her next and original face.”
— Joyelle McSweeney, author of The Necropastoral
“Sofia Samatar’s Opacities lowers us into the deepest part of the sentence, past ruin, past the drowned, past the moon, past the future, past the writer and her ink where the ragged dark begins to sing. Opacities is a posthumous book written by the living. I read this entire book in the pitch-black to keep all its brilliant secrets safe.”
— Sabrina Orah Mark, author of Happily
“Opacities gorgeously stages the struggle between the writer’s consciousness—solitary, desiring only the quest of its craft—and the writer as embodied, indebted to a public and to the machinations of the world of publishing. Samatar summons the testimony of a chorus of writers and thinkers in her argument against the oppression of imposed subjectivity, particularly for marginalized writers, who ‘will not be granted a moment of abstraction.’ Both dazzlingly intellectual and deeply felt, Opacities is a collection to savor and return to again and again.”
— Lauren K. Alleyne, author of Honeyfish
“A writing book that’s ruthlessly honest about the problematic questions that arise when you become a voice for your community . . . Deeply researched and razor-sharp.”
— Leland Cheuk, The Boston Globe
“A wide-ranging, epistolary collection on writing, identity and friendship. . . . A unique exploration of craft and authenticity, Opacities offers its wisdom through these perennial questions and answers.”
— Julia Hass, Literary Hub
“Sofia Samatar’s books often blend and explode genre in the most delicious ways, and her newest is no exception.”
— Laura Sackton, Book Riot
“Opacities is a necessity for every person writing, reading, moving through complex spaces, lying down in fields, on beaches. Samatar turns the always-burning questions of how do we begin to write and how do we go on writing into a riveting yet diffused examination of what we have read and how we’ve sustained ourselves by reading. This is a book for pleasure, for travel in thought, but, perhaps, also the right thing to grab in case of emergency. It’s definitely my new desert-island book.”
— Renee Gladman, author of Calamities and Plans for Sentences
“Opacities fantasizes many models of writing, including the ‘companion text,’ the project that ‘lasts your whole life,’ the one that includes failure and ‘deep aimlessness,’ and the book that writes itself, by virtue of an accumulation of index cards in a shoebox. Opacities dreams of connectivity and communion. It strives to bring into correspondence the talismanic writers of the literary imaginary, and, in a voice reminiscent of the address in Chris Marker’s Sans Soleil, Samatar conjures an anonymous, epistolary intimate. It is a book about process and ambivalence, one that ultimately evinces a deep-seated passion for the creative acts that are reading and writing.”
— Moyra Davey, author of Index Cards
“What is a writing method that ‘is less like writing and more like living?’ Sofia Samatar develops this question as a form of metallurgy in Opacities, a book that sets autobiography in motion until what remains is what we love the most: a notebook. Blurry, snorting and stamping its hoof in the rain, the notebook’s hybridity is both void and animal: ‘Zero. Zero.’ To write this bifurcated or doubled zero, Samatar thinks ‘through the hole.’ This is an ‘incompleteness’ taken to ‘extremes,’ and I’m here for it. Anything I could possibly write in support of this beautiful book falls short of the elation I felt when reading, something that happened in one sitting because I could not set it down.”
— Bhanu Kapil, author of How to Wash a Heart
“Opacities is a writer’s notebook that we get to read pre-posthumously, a conversation with the self and the dead, a gesture toward the fantasy of publication without publicity. A book for Rilke’s ‘narrow ledge,’ full of intimacy and intensity, comforts and agitations, the haunting desires of artists.”
— Elisa Gabbert, author of Normal Distance and Any Person Is the Only Self
“Sofia Samatar’s Opacities observes the world with rare curiosity. Engaging a breadth of thinkers, Samatar considers the spiritual dimension of art-making, and offers meaningful reflections on returning to our most genuine selves. Moving seamlessly between essay and philosophy, investigation and mediation, Opacities is a gift.”
— Jaquira Díaz, author of Ordinary Girls